Category Archives: opinion

For Tweet’s Sake

I did myself a BIG favour during the Jubilee week. I stopped tweeting. The only tweets that landed on my twitter page that week (apart from a reply to a tweet) were the automated Photography Daily News ones pushed out around 5pm every night. To my surprise i found that i didn’t miss it.

My reasons for the tweeting break were many, but at the heart of it was a need to get away from it.. I adore Twitter and find that it’s great for finding out what’s going on out in the world of photography. It must be said though that a number of tweeters easily meet the EU quota for being self indulgent, self promoting, and self important. I don’t follow them but their ‘opinions’ still make it through to my photography feed. Dammit!

Even worse, these people don’t' usually work as photographers, will jump on any passing bandwagon they can find, and dominate discussions in the belief that their opinions matter more than anyone else’s. They may know bugger all about a subject, but they will still blog about it as though THEY are the fountain of all knowledge. I won’t even go into the levels of negativity found on Twitter sometimes.

So what’s the cure? Tweeting breaks.  I’ve got more on the way over the summer where the Twitter feed can just take care of itself. I will do something else.

Into Instagram

Yes i have succumbed to the dark side of the force :) I’m currently trying out Instagram just to see how it fits into my social networking. So far, i’m just feeling my way around the photo sharing service, and it does appear to have noticeable differences from other photography iPhone applications.

To many photographers Instagram and Hipstamatic are dirty words. Dirty, DIRTY words!!! While both of these photography applications are lumped together in criticism, i find they offer the user slightly different approaches to photography using an iPhone. Hipstamatic is far less of a social networking app than Instagram. I can certainly understand Facebook’s interest in purchasing Instagram… though not the price they paid for it.

So will i continue to use it? Well yes. I went out for a walk yesterday and tried to get to grips with what Instagram can do. Sadly i couldn’t upload any over a phone signal as i went along.. because there was NO phone signal out in the countryside. I did manage to eventually upload some images though by using a hotel’s free wi-fi signal.

As a device for visually showing what i’m up to, Instagram is perfect. It’s a visual tweet, a snapshot, a visual scrapbook – a moment in time. The here and now. I just need to settle in with it.

The main website has a Instagram gallery where you’ll be able to see new and old images at
http://www.richardflintphoto.com/instagram-gallery/

Saving for a Rainy Day

Bamburgh castle from the sand dunes

I’m currently reinstalling everything back onto my laptop. Great fun! After around 18 months of flawless use, the laptop finally started freezing on me in critical situations, so i decided to do a factory reset. A drastic move, i know, but it means a fresh, clean laptop ready to go soon. It’ll just take me several days to put all the software back on it.

Fortunately there was nothing on the hard drive of great value. I backup to DVD-ROM and memory stick, and now DropBox, as often as i can, but it never seems quite enough. The fear of losing digital content has increased each year as i realise how much I rely on files just being there. To complicate matters, the laptop DVD-RW would no longer burn discs due to a software issue. The factory reset has removed this problem too. Phew!

Just recently I started using an online service called CodeGuard after i realised how much blood, sweat, tears and man hours had gone into the main website redesign. The idea of someone wrecking all that work with a hack [shiver] terrified me! CodeGuard simply backup your website (all the files on your server) so you have a fall-back (or several!) should the worse happen. So far it looks like a great service.

The Way We Work

Some pros are dabbling with digital but most still shoot on film“. A remarkable claim by the great Eamonn McCabe made on BBC Radio 4 recently. I’ve been a fan of McCabe’s work ever since i first saw his sports photography in a copy of amateur photographer around 20+ years ago. In this case though, Eamonn seems to have got it rather wrong.

The problem is, is that photographers tend to believe that everyone works like they do – I shoot mostly on film, so therefore everyone else does. Only they don’t! Photography is a fascinating business because it is made up of so many practitioners doing photography their own way. We customise it to our own way of seeing, thinking and our attitudes to the world. We build our own methods, philosophies and believes, creating our own view of photography – and then we guard it fiercely. I’m right, you’re wrong!

For my part, I shoot digitally and on film. I love both and always will, but i am aware that there are photographers, out in this big bad world of ours, who will NEVER touch a film camera ever again. Likewise, some photographers stay away from digital photography. That’s a decision that they’ve made, just like i made a decision to use both digital and film. That’s the beauty of photography – we mould it into what we want, and no mould is exactly the same.

Having the Edge

No matter how hard i try, sometimes i just can’t understand the attitudes of certain photo bloggers. Take today for instance.

In the news with have the launch of the Nikon D4 and the rumbles of what looks like the end of that once mighty photo leviathan called Kodak. Both stories reflect how quickly the photo industry can change, It wasn’t that long ago that Nikon was seen as lagging some way behind Canon in the digital technology stakes. Now Nikon seem to have the edge.

Kodak’s demise is sad though. I’ve never been a huge user of Kodak products, but for a time i was a dedicated fan of their TMAX range of products – i still (though for how much longer is anyone’s guess) use their TMAX developer. I certainly won’t shrug off the demise of a company that has helped me take photographs over the years. Some others seem less bothered. Photography, for me at least, does not just mean digital imaging.

One of the more popular photography blogs had a post that enthused about the ‘end of the film age‘. Personally i believe that film will last for some time to come, but like in many industry sectors, only a small number of film manufacturing companies will survive or remain in that sector. In the film sector, companies like Fuji and Ilford may remain the only big players, especially if Kodak does go down. I do hope that film remains available. Film offers the user a different picture taking experience to digital. That should be encouraged. If the Impossible Project can make Polaroid film sales viable – surely 35mm, 120 and 5×4 film can have a place too.

Final thought: The decline of our high street photography shops can be linked to online competition, but a massive factor was the switch to digital. The market for photographic materials just vanished. After buying a camera and a memory card, why go back to the store? A lens? A bag maybe. Not regular items you’d go and purchase often though.

Digital changed the business model for the camera store on the high street, as much as it changed the photography industry itself. We have gained much from the digital imaging revolution, but that gain comes at a price. Those that can’t keep up will fall. Kodak, sadly appears to be one of those falling.

The Future of Film

OK. After seeing a few articles about the imminent demise of film, i’ve decided to have a little fun. What i’m going to do is predict what will happen to film over the next few years. One thing to remember. I LOVE both digital and film. I believe they can co-exist. I hope both reign supreme together.

It was all started by an article that forecasted the possibility of the demise of film in the USA within ten years. I’ve been surprised at the level of conviction shown by both ‘film die hards’ and the ‘digital is the future’ crowd who have fought bitterly to defend their positions. Both make good arguments, although sometimes it  seems to come more from an zealous idealogical standpoint than calm reason and deduction.

The claim that film use is going down is correct. It’s bound to as digital cameras have caught on. Most people have embraced digital for convenience and cost reasons but my argument is that so far it has only really impacted the 35mm film market to a large degree.  The launch of a 200MP digital Hasselblad retailing at around £28,000 (plus tax) goes to show that although a good 35mm style digital camera is easily affordable these days, most medium format digital versions are still squarely aimed at a limited number of highly paid professionals or the rental markets. Yes there are cheaper alternatives but the prices are still prohibitive for many amateurs and professionals alike.

Until this situation changes, i believe that film in 120 and 5×4 formats will continue to be the only affordable alternative for large format photographers who want great quality images. As for 35mm, well film will continue to be produced as long as it remains profitable to do so. Colour will probably suffer significantly more than black and white, but it may just still have a place in the digital world. If the Impossible Project can succeed with the business model of selling ‘Polaroid’ film, then i see a potential market for selling film. Small but solid. Digital is the future but some film will remain on sale as long as it is profitable to do so.

In the UK we have a chain of photo stores that go under the Jessops name. The stores used to provide a good range of photographic gear and materials but in the last decade the photo chain’s fortunes have suffered quite considerably. I believe that in part this is due to the widespread adoption of the digital camera. Film is purchased, used, and processed. At each stage something has to be replaced especially if you process your own stuff; the film, the chemicals, and even the negative file you place the negs in have to be purchased on a regular basis. That doesn’t include the printing materials. Digital removes all that because at its core is the memory card that can be used over and over again. No wonder the camera shops are often empty. If i owned a camera shop i’d be actively encouraging film photography over digital – instead it’s vice versa.

A final thought. It’s only a small thing but I often get the professional photographer tag because i carry a film camera. I may be carrying both my digital and film cameras, but it seems that many of the public see film as solely the domain of the professional/uber photo enthusiast.  I’ve even been labelled a ‘proper photographer‘ because of carrying a film camera. I don’t agree with that but i certainly would recommend using a film camera – it’s a more challenging experience than using a digital camera. It complements digital.

A final, final thought. I intend buying a 5×4 camera this summer so i am going through the motions of putting my money where my mouth is.

Drawing The Line

Imagine that you are a photojournalist covering a US marine patrol in Afghanistan. Everything is going great and the pictures are rolling in… that is until the patrol is attacked and a marine is mortally wounded. You are then faced with a dilemma. Do you continue to take images of the dying marine? Associated Press Photojournalist Julie Jacobsen did and has been on the receiving end of criticism ever since, along with AP and others for publishing the photo.

In theory, a photojournalist should capture every aspect of warfare, but some areas still remain taboo. War dead have always been fierce topic of debate since Matthew Brady’s photographers photographed the dead on the battlefields during the American Civil War. Since then, photographers have often tried to capture the sense of sacrifice on the battlefield, usually under huge scrutiny and censorship from the military and political powers.  During world war II, images from the battlefields were closely controlled, and only on a number of occasions were US and British war dead photographs ever published. The Soviets, however, published lots of photographs of Soviet dead to motivate and inflame the Red Army/Soviet people as it fought against the onslaught of the German army’s assault on Russia.

A photograph is an immensely powerful thing. Even in the 21st century, the right photograph at the right time can cause havoc with public perception and opinion. The lessons learned after the Vietnam war are still being enforced. Don McCullin was barred from photographing the Falklands war in 1982 due to political pressure – the powers that be didn’t want any true images of war i.e war dead, by a seasoned war photographer, to influence public opinion back home. The result was that the Falklands conflict remains one of the most poorly documented conflicts that the United Kingdom has ever fought.The strangest element to photographs from a war is the nature of subjectivity. Display a photograph of dead Afghans/Iraqis and there may be few complaints, but show a dying British or American soldier and all hell breaks loose. Maybe it should.

The recent image of Lance Corporal Joshua Bernard dying,  published by various news agencies, has brought the old arguments to the surface again. Just when do you stop taking pictures? Is there anything you don’t shoot? Do you publish the photographs? Even if you do take the photograph of the dying soldier, there is a good chance that it will never be published. On the other hand this is the reality of the situation on the ground. Young men and women risk their lives in Afghanistan and Iraq – sometimes the price can be high. Shouldn’t we acknowledge that, and show that risk and sacrifice? In the end this topic will continue to divide opinion as long as there are wars and photographers photographing those wars. 

Some of the most thought provoking photographs taken of the war in Afghanistan and Iraq have been taken back home among the families of dead servicemen, where the impact of the loss is so keenly felt. Todd Heisler’s superb photo-story Final Salute is an excellent example of a photographer looking closer to home for the true visible cost of war. For me, Heisler’s images are far more emotionally powerful and poinant than any taken on the battlefield. Maybe it’s away from the battlefield that the real stories lie.