OK, OK, I admit it. I severely underestimated the amount of work needed putting together the Norfolk project book. This week i added more images to the gallery for the project on my website, and it suddenly dawned on me the task that lay ahead. It’s pretty damn big.

I want to do a good job on this book. No, actually i want to do a fantastic job on this book, and it seems only right for me to take my time doing it. I have hundreds of images to go through, and i have to choose a total of 100 for the book. I can’t really do that without having some idea of what i’ve actually got. The images i’ve shown so far are just a fraction of what i shot. I haven’t really gone through the work in detail, apart from the occasional quick scan through the negatives and digital image files. I really need to collate all the work. I thought i could do it all in 3 months. Ha!

With that in mind,  i’ve decided to delay the release of the Norfolk project book until early 2013. It will give me this year to thoroughly go through the work and see everything, every last bit of the project. It seems pointless to rush the book, and I already have a book planned for later this year with images of Scotland, so i will produce a book in 2012.

I’m looking forward to exploring and producing images in an area of the UK i’ve never been to before. Scotland looks fabulous. I’ve already started using the impressive power of Google Earth to help me spot the best shooting viewpoints, check out the surrounding area and plan what images i want to take.

I’m about to start on another photography book release via blurb.com that should take me most of the winter to put together. This is going to be a big project and an important landmark book (at least for me!) that completes the first phase of the Norfolk project.

Ten years ago, i decided that i needed a long term photographic project. What began as a loose kind of photography exercise in Norfolk, ended up gathering pace and direction. After ten years, it’s time for a break and some contemplation of where to take it next. I have lots of options open, plenty left to photograph in the county, and after a year or two i’ll return.

Over the next few months I’ll be putting all of the photography  together, around 80 images or possibly more, to make a retrospective book that , I think, will be the perfect way to present the first ten years of work. The majority of the photographs that have been released online have focussed on the landscape side of the project, however, the book will stay true to the original idea with a broad mix of landscape and documentary photography. I aim to release the book on March 21st 2012.

View from a roadside stop – North Lincolnshire, UK

Approaching the Humber bridge

It’s with a great deal of pleasure that i can announce the launch of my first photography book release called Sea, Sky, Sand and Street available from blurb.com.

Based on this year’s Solo Photo Book month project, this brand new 7×7 inches (18×18 cm) photography book has been completely redesigned from scratch and features a new layout design, over 70 photographs including a number of new images and more.

For the next sixteen days (check out the book preview to spot why it’s 16 days) the soft cover version of book will be available to buy for the introductory price of £16.95 plus £4.99 postage. The sixteen day period will end on midnight September 10th when the price will return to £18.95. A hardback edition of the book is also available.

The new Sea, Sky, Sand and Street book in softcover and hardback can be purchased HERE

So there we have it. The final Baldixette photograph taken from the roll of film shot in North Wales in 2004.  I love this remarkable little camera. It’s simple to use and importantly it  puts you firmly back into the driving seat as a photographer, delivering great results with a bit of effort. You have to think and work with the camera to get an image. That’s not a bad thing for a photographer to experience in this auto-everything world.

Another shot taken using the Baldixette camera. The camera was purchased in North Wales back in 2004, although sadly I can’t exactly remember where i found it. I think it may have been a charity shop in Conwy, but I could be wrong.

I’ve only ever put one film through the camera (in North Wales) just as an experiment and to see how the camera performed as an image making tool. It was easy to use, however you had to prepare yourself before carefully clicking the shutter as it seems to fire only as quickly as you can press and release the button. There is no set shutter speed from what i can gather, making the film exposing process an interesting one.

It was fun going back to a basic camera like the Baldixette. It is a true photographer’s camera; no gadgets or software to get in the way of the picture taking. The photographer controls the whole image taking process. Hmm I may just put roll number two through the camera this summer just to see what I can get.

I buried my Facebook pages today. Enough is enough. I never did like the interface or the sterile look of the pages. 47 followers in six months is pathetic even by my low standards.

So here we are… Long live the blogs because the Facebook update is dead! Or is it? I have a love/hate relationship with the social networking website.  We argue, break up and then get back together again. I may return… maybe

Photograph taken from the train window of traffic on the M5 near Taunton.

The hills near Conwy in North Wales

It has been very quiet on the blog this last month. One or two family dilemmas to deal with. There will be, however, a gradual return to a normal service this month starting with the other Agfapan 25 image posts i promised to post a few weeks ago. I’ll post them this week.

 A ‘work in progress’ houseboat at Blakeney in Norfolk, UK

Wicker artwork on Salthouse beach, Norfolk, UK

As you may have noticed, I’ve altered the look of the Darker Skies blog. There are a few improvements in the works that will be added over the summer. More details about that coming up in the April podcast due for release in the next week.

Sadly, there is no visit to Norfolk this year, however, i do intend to visit again next year. I do have a trip planned for this year to a rather lovely part of Britain… it’s just when I’ll do it that needs to be sorted out.

100th Bomb Group memorial museum control tower - Thorpe Abbotts, Norfolk, UK

I was recently ‘tagged’ by my friend Kat to take part in a little photo game where you pick the tenth photofile and talk about it. Here is my contribution taken from the Norfolk collection that has been sat on my computer for years… literally. 

The tenth photograph was taken at the 100th Bomb Group museum at Thorpe Abbotts on the Norfolk/Suffolk border. In the late 1970′s , a team of enthusiasts decided to renovate the old airfield tower and turn it into a memorial museum dedicated to those 100th Bomb group aircrews who were killed in action. The museum is run by local volunteers who tell the story of the United States Army Air Force (USAAF) at Thorpe Abbotts. It is a place to remember. 

The photograph above was taken on the top of the control tower looking out over where the runway used to be. Although agriculture has gradually crept back onto the old airfield, the tell tale signs that this place was a hive of activity seventy years ago are still visible. Maintenance areas can still be seen and a  large section of the old concrete runway still exists, so it’s not hard to imagine the roar of aircraft taking off to attack targets in Europe. The airfield would have been a noisy place back then, but now it’s one of the the most peaceful places i know.

The overall feel of the place is ghostly. The only sound is the wind, with maybe some birdsong in the background. A star spangled banner flutters and flaps on a flagpole, as a permanent salute to those long gone. The very young faces of the lost aircrews stare out at you from the photos in the museum’s beautiful chapel. Their youth is overwhelmingly obvious as they stand proudly in front of their B-17s. The photos reflect lives cut short a long way from home, sacrificed for a better world free of Nazism.  I can’t think of a more fitting memorial than the actual control tower that many crews would have looked at as they taxied for takeoff. I love the museum, the atmosphere, the history and the old airfield. For me, this photograph captures all of that.