The last couple of days have been among of the most painful I’ve ever experienced. Strangely, Grandma’s funeral last Thursday wasn’t the worst part – the emptying of the bungalow she called home the following day takes that honour. Something felt very wrong. It was all very surreal and immensely sad as the furniture was carried away. One of the more common sentiments among many of the village residents present at the funeral and afterwards, was that it was the end of an era for the village community. It certainly felt like the end of something you never thought would end.

I had packed a couple of cameras with me and i’m glad i had them. The day of the funeral started as a bright but foggy morning – perfect for getting some moody, atmospheric shots among the trees and around Thorpe Malsor. To be honest, it was great to have a distraction, but the photography also served a deeper purpose of recording the village that had been part of Flint family life for so long. That relationship, that physical connection, has finally gone. Was the photography a form of therapy? Undoubtedly i’d have to say yes.

I took film cameras rather than the DSLR. I did pack the digital camera but then decided to stick with a 35mm SLR and the 6×6. Later it seemed right to be shooting these final (?) images of the village using film. After all, as a teenager, I’d had great fun going around Thorpe looking for images, armed with my trusty Miranda MS2 (my first SLR camera) loaded with Boots film. Fortunately the light was great during my final stay. I’ll be publishing the 35mm and 6×6 images on the blog very soon.

Finally i come to the image above. My iPhone developed major battery problems so that it could only be used if plugged into a power socket. I would have liked to have posted some images, audioboos and tweeted more as i walked around, but it wasn’t to be. Instead i took this image, using my Nokia, of the snowdrops in the churchyard at Thorpe Malsor. For many years, my Grandparents lived in the house opposite. The proximity of the church, combined with living in a fabulous old country house, made it feel very olde world England. The snowdrops in the photo add a feeling of new life. Renewal. A new start.

It was dark when i left the village. Will i return? Well i prefer to use an au revoir rather than a definite goodbye. If I’m nearby, I’ll stop to remember some childhood memories. When it comes down to it though, the Thorpe Malsor residents were right – it is the end of an era.

I’m about to start on another photography book release via blurb.com that should take me most of the winter to put together. This is going to be a big project and an important landmark book (at least for me!) that completes the first phase of the Norfolk project.

Ten years ago, i decided that i needed a long term photographic project. What began as a loose kind of photography exercise in Norfolk, ended up gathering pace and direction. After ten years, it’s time for a break and some contemplation of where to take it next. I have lots of options open, plenty left to photograph in the county, and after a year or two i’ll return.

Over the next few months I’ll be putting all of the photography  together, around 80 images or possibly more, to make a retrospective book that , I think, will be the perfect way to present the first ten years of work. The majority of the photographs that have been released online have focussed on the landscape side of the project, however, the book will stay true to the original idea with a broad mix of landscape and documentary photography. I aim to release the book on March 21st 2012.

So there we have it. The final Baldixette photograph taken from the roll of film shot in North Wales in 2004.  I love this remarkable little camera. It’s simple to use and importantly it  puts you firmly back into the driving seat as a photographer, delivering great results with a bit of effort. You have to think and work with the camera to get an image. That’s not a bad thing for a photographer to experience in this auto-everything world.

Another shot taken using the Baldixette camera. The camera was purchased in North Wales back in 2004, although sadly I can’t exactly remember where i found it. I think it may have been a charity shop in Conwy, but I could be wrong.

I’ve only ever put one film through the camera (in North Wales) just as an experiment and to see how the camera performed as an image making tool. It was easy to use, however you had to prepare yourself before carefully clicking the shutter as it seems to fire only as quickly as you can press and release the button. There is no set shutter speed from what i can gather, making the film exposing process an interesting one.

It was fun going back to a basic camera like the Baldixette. It is a true photographer’s camera; no gadgets or software to get in the way of the picture taking. The photographer controls the whole image taking process. Hmm I may just put roll number two through the camera this summer just to see what I can get.

On the beach at Deganwy in North Wales looking towards Anglesey, 2004.

Photograph shot using a 1950′s Balda Baldixette

The hills near Conwy in North Wales

It has been very quiet on the blog this last month. One or two family dilemmas to deal with. There will be, however, a gradual return to a normal service this month starting with the other Agfapan 25 image posts i promised to post a few weeks ago. I’ll post them this week.

Hainford (or Haynford) (All Saints ) Churchyard – Norfolk

Looking back towards Blakeney – Norfolk, UK

I’ve already started to formulate some plans for next year. After all, a year seems like a long time, but it soon goes, so I’m just thinking about where to take things next year. 2011, I think, will be a year in which I want to push my multimedia ideas to the next level - video, audio and photography. Heck yeah, that sounds like fun and a challenge too. I’ve started experimenting around with video recently, shooting and editing material I’ve done via my iPhone, however I really want to move to a much higher standard of work by this time next year. I think that the return to shooting in Norfolk next year will be a great place for developing a large-scale piece of multimedia work.

A couple of items needed to help me along. First is a compact digital HD camcorder, and second is software to produce professional photography slide shows with audio…. with the addition of video too.  The camcorder will also be used for video podcasting, something I want to commence doing later this year. My only worry is the potential pitfalls of shooting video and still images at the same time. It rarely works well – both need different mindsets. I always remember a Larry Burrows (one of my photo heroes) remark that he would shoot black & white OR colour…. but NEVER both at the same time. 

Ways of looking, ways of seeing  and the visual interpretation of a scene – it depend to some degree on the medium you use and sometimes it’s just better to focus on one, than try to do several at the same time.

 A ‘work in progress’ houseboat at Blakeney in Norfolk, UK

 Tracks in the sand - Sea Palling, Norfolk, UK

I’m currently going through a phase of wanting to get ready for my Norfolk trip, even though I’m not doing it this year. Last year I made the decision to give Norfolk a break, the project would have a creative interlude for 2010, and come back fresh and reinvigorated for 2011. I will miss it though, which is not surprising considering that I’ve been doing it for five years on the trot. Time for a break me thinks. Last year, I got the feeling that I was becoming… er… too familiar with the place. Although it was hugely tempting to return this year, I’m going to stick by my decision of 2009 and do something else this year…. something very different - I’ll be helping film a vampire movie  in Whitby.

My Norfolk  project came about in 2004, influenced mainly by a photographic book called Northumberland by John Tordai. The book was part of a series, although I only recall ever seeing two books, where a photographer would pick a county they knew and photograph it. Tordai had been raised on Tyneside, so naturally, he chose the beautiful county of Northumberland. Sadly I can’t remember the name of the other photographer, or the exact county that the book was shot in. I do remember though that it was a county located in the south of England. I thought it a fantastic idea to do a long-term photographic project and that made me decide to shoot a project of my own.

My Norfolk project differs in one major respect to the books. I have no links to the county. I like the idea of coming to a subject fresh, just once a year for (and at) a certain period of time. I could do a similar type of project here in my home county of North Yorkshire, but for the moment I’ll stick to photographing the delights of Norfolk. How long will this project last? Initially when I started I thought ten years but I’ve decided to remove any time restrictions. It’s ongoing and ends when it ends. I’ll miss visiting this year but the break is needed.

Pier entrance – Cromer, Norfolk, UK

Pebble beach -Sheringham, Norfolk, UK

So the UK has had it’s election and the winner is…. well no one really. All of the political parties suffered from a terminal case of mistrust, apathy and a longing for change from the public.

To say that no-one won might be wrong. This could be the start of a process of changing what’s wrong with the country’s political system which, quite frankly, is rather out of date. Maybe the UK public finally won.

The next few days will be interesting….